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DD and #39;Appolito | DAC | DAC | Damper | Damping | Damping | Damping | Damping_(Damping_factor,_etc.) | Damping_Factor | dB_is_for_decibel | DC | DC_is_direct_current | DC/DC_Converter | DCC_and_MD | DCC_and_MD | Decay | Decibel_(dB) | Decibel_or_dB | Delay | Delaying | Delaying | Destructive_Interference | Detachable_Face | Diaphragm | Diaphragm | Die_Cast | Diffraction | Diffraction | Diffuse | Diffuser | Digital_Amplifiers | Digital_Technology | DIN | DIN | DIN | Dipole | Direct_Current_(DC) | Direct_sound | Discrete_Output_Devices | Dispersion | Dispersion | Displacement | Distortion | Distortion | Distortion | Distortion | Diversity_Tuner | DIY | Dolby | Dolby_Digital | Dolby_Digital | Dolby_Digital_EX_Surround | Dolby_Noise_Reduction | Dolby_Prologic | Dome_Tweeter | Dome_Tweeter | Dot_Matrix_Display | Double_(Dual)_Voice_Coil_(DVC) | Double_Stacked_(magnet) | Dress | Driver | Driver | Driver | Driver_Volume | DSP | DSP_(digital_signal_processing) | DTS | Dual_Voice_Coil | Dual-Cone | Dual-Voice_Coil | Dual-Voice_Coil | Dub | Dust_Cover/Cap | DVD | Dynamic_Headroom | Dynamic_Range | Dynamic_Range | Dynamic_range | Dynamic_range | Dynamic_Range_Suppression | Dynamics |1. D'Appolito:-Joe D'Appolito is credited with popularizing the MTM (Midrange-Tweeter-Midrange) type of speaker. 2. DAC: 3. DAC 4. Damper: 5. Damping 6. Damping-The process of reducing or eliminating vibrations, reverberations and/or oscillations. (e.g., In car audio often add a heavy, sticky damping material to any panels that tend to resonate and rattle.) 7. Damping-The process of reducing or eliminating vibrations, reverberations and/or oscillations. (e.g., In car audio often add a heavy, sticky damping material to any panels that tend to resonate and rattle.) 8. Damping (Damping factor, etc.) 9. Damping Factor 10. dB is for decibel 11. DC:-Direct Current. 12. DC is direct current 13. DC/DC Converter:-Since 12 volts limits the amplitude of an audio signal, a group of components within an amplifier converts battery voltage (DC) into AC so that it can be increased by swetching devices and a transformer, and converted back to DC (rectified). This provides higher voltage to drive the amplification stage to higher power. Also called the Power Supply circuit. 14. DCC and MD 15. DCC and MD:Two additional formats for recorded material that stand for Digital Compact Cassette and MiniDisc, respectively. (e.g., Although it is rare to see DCC units in a car audio system, more and more MD players are being sold every day.) 16. Decay 17. Decibel (dB):-Named after Alexander Graham Bell. We perceive differences in volume level in a logarithmic manner. Our ears become less sensitive to sound as its intensity increases. Decibels are a logarithmic scale of relative loudness. A difference of approx. 1 dB is the minimum perceptible change in volume, 3 dB is a moderate change in volume, and about 10 dB is an apparent doubling of volume 0 dB is the threshold of hearing, 130 dB is the threshold of pain. 18. Decibel or dB:One tenth of a Bel. This is a measurement of the comparative strength of two powers, and can be applied when measuring any signal in the audio, video, and electromagnetic spectrum. If two powers differ by one Bel, there is a difference of 10 times the power. If comparing amplifiers, where one is rated at 10 watts while the other is 100 watts, then we have a difference of 10 decibels, or one Bel. Decibels should be understood as ratios, not fixed quantities. Decibels are the preferred method and term for representing the ratio of different audio levels. It is a mathematical shorthand that uses logarithms (a shortcut using the powers of 10 to represent the actual number) to reduce the size of the number. For example, instead of saying the dynamic range is 32,000 to 1, we say it is 90 dB [the answer in dB equals 20 log x/y, where x and y are the different signal levels]. Being a ratio, decibels have no units. Audiologists generally assert that 1 decibel is the smallest difference in volume that can be heard by the average person. The term is derived as an honor to Alexander Graham Bell, who invented the telephone, and did much of the preliminary work in the modern science of acoustics. 19. Delay 20. Delaying-Adjusting the passage of time between two signals. (e.g., If I purchase a DSP system, I can delay one channel of my stereo, and move the images across the soundstage.) 21. Delaying:-Adjusting the passage of time between two signals. (e.g., If I purchase a DSP system, I can delay one channel of my stereo, and move the images across the soundstage.) 22. Destructive Interference 23. Detachable Face-Occasionally referred to as 'Removable Panel' or 'Theft Deterrent Faceplate', or some variation. This is a physical method for foiling receiver thieves. The idea is that you take just the front panel with the controls with you when you leave the car. A thief cannot buy a new face for a unit unless he has a receipt for it. Some manufacturers makes sets with rotating faces called Mask. 24. Diaphragm: 25. Diaphragm: 26. Die Cast:-A type of speaker basket or frame that is cast as a single piece of relatively thick, rigid metal. This contrasts with a Stamped frame that is shaped by pressure, much like a car body fender. Cast metal is heavier and more rigid, and thus less likely to "ring" at certain frequencies, and will hold its shape somewhat longer against the pull of gravity. This is mainly advantageous in the larger woofers of 12" or greater. Smaller drivers will likely not benefit perceptibly from being cast. 27. Diffraction:-A change in the direction of a wave front that is caused by the wave moving past an obstacle. 28. Diffraction 29. Diffuse:-Widely spread out or scattered; not concentrated. 30. Diffuser: 31. Digital Amplifiers:See article on "amplifier classes" 32. Digital Technology 33. DIN:-The initials stand for German Industrial Standard and in car audio can be used to describe a standard dash opening for a deck or a multi-pin connector used in lieu of a RCA connector. (e.g., Years ago most German car audio decks used DIN connectors on the signal path.) 34. DIN:Acronym for Deutsche Industrie Norm (Deutsches Institut fuer Normung), the German standardization body. A world reference standard for the mounting parameters of many common receivers ( Head ends) as well as other types of cables and equipment. Single DIN is the standard face size for receivers, and measures 7-3/8"wide by 2-1/4" high. DIN+1/2 measures 7-3/8"wide by 3-3/8"high. Double DIN measures 7-3/8"wide by 4-1/2" high. 35. DIN: 36. Dipole:An open-back speaker that radiates sound equally front and rear. The front and rear waves are out of phase and cancellation will occur when the wavelengths are long enough to "wrap around". The answer is a large, wide baffle or to enclose the driver creating a monopole. 37. Direct Current (DC)-Current that moves in only one direction. 38. Direct sound 39. Discrete Output Devices 40. Dispersion: 41. Dispersion: 42. Displacement:-The measurement of cubic volume that an item (such as a speaker or port) takes away from the internal volume of an enclosure. When designing an enclosure, this figure must be added to the enclosure volume . 43. Distortion:-Any departure from a true and accurate reproduction of the original waveform. It can include Noise, Clipping Distortion, Harmonic, and Intermodulation Distortion. These last two forms are fairly common in loudspeaker reproduction and can be reduced but not entirely eliminated in the existing technology. It would be fair to say that modern amplifier design fairly eliminates nearly all forms of inherent perceived distortion, leaving only that caused by inappropriate user settings and overloading. Distortion is the name given to anything that alters a pure input signal in any way other than changing its size. The most common forms of distortion are unwanted components or artifacts added to the original signal, including random and hum-related noise. Distortion measures a system's linearity - or nonlinearity. Anything unwanted added to the input signal changes its shape (skews, flattens, spikes, alters symmetry or asymmetry). A spectral analysis of the output shows these unwanted components. If a circuit is perfect, it does not add distortion of any kind. The spectrum of the output shows only the original signal - nothing else - no added components, no added noise - nothing but the original signal. It's rather amusing to see amplifier manufacturers making great claims about the advantage of the extra .001 % Distortion they've wrung out of their products, while most speakers are considered very good if they can keep such distortions below 5 %. It's true that the reduction of any distortion anywhere is a positive contribution to the goal of high fidelity, but the disparity between the two technologies in this regard points up the largely subjective nature of many such claimed advantages. 44. Distortion: 45. Distortion:Anything that alters the musical signal. There are many forms of distortion, some of which are more audible than others. Distortion specs are often given for electronic equipment which are quite meaningless. As in all specifications, unless you have a thorough understanding of the whole situation, you will not be able to make conclusions about the sonic consequences. 46. Distortion-Undesirable alteration in a signal. (e.g., Roy's cheapie electronic crossover added so much distortion to the signal that we couldn't even tell what we were playing.) 47. Diversity Tuner 48. DIY 49. Dolby-The most common shared logo or feature between all brands is the Dolby labs' 'double D' symbol. Named after audio engineer, Ray Dolby, it represents a number of sound processing technologies that are incorp-orated in a diverse number of products since the early 1970's. 50. Dolby Digital:Is a five-channel system consisting of left, center, right and left rear, right rear channels. All processing is done in the digital domain. Unlike Dolby Prologic in which the rear effects channels are frequency limited to approx. 100-7000Hz, Dolby Digital rear channels are specified to contain the full 20-20Khz frequency content. The AC3 standard also has a separate subwoofer channel for the lowest frequencies. 51. Dolby Digital: 52. Dolby Digital EX Surround 53. Dolby Noise Reduction: 54. Dolby Prologic 55. Dome Tweeter:A high frequency speaker with a dome-shaped diaphragm.A high frequency speaker with a dome-shaped diaphragm. 56. Dome Tweeter-Tweeters come in several different types; cones, horns and domes being the most popular. Dome types are heavily favored in many standard applications. They are efficient, and have low Distortion and wide dispersion. There is a choice between hard and soft dome materials, but all have relatively low mass and high power handling capabilities. This same design in a larger form is quite effective as a midrange Driver also, and for many of the same reasons. 57. Dot Matrix Display-A display type that employs regularly spaced patterned grids of point-source lighting elements. As a result, characters displayed have greater resolution than a segmented display. 58. Double (Dual) Voice Coil (DVC) 59. Double Stacked (magnet): 60. Dress:-The arrangement of signal leads and wiring for optimum circuit operation, cosmetic appeal, and protective routing. 61. Driver-Just another word for a speaker. (e.g., When two 4-ohm drivers are wired in parallel, then that presents a 2-ohm load to the amplifier.) 62. Driver-An alternate term for 63. Driver 64. Driver Volume 65. DSP-Digital Signal Processing. DSP can be used to create equalization, compression, etc. of a digital signal. 66. DSP (digital signal processing) 67. DTS-Digital Theater System. A multi-channel encoding/decoding system. Used in some movie theaters. Also now included in some home-theater processors. A competitor to Dolby Digital. 68. Dual Voice Coil:A woofer with two voice coils mounted to a common cone, which can be connected to separate amplifiers, to produce a common bass output. Since bass has a non-directional character, this still permits the optimum reproduction of the stereo image via other speakers. Care should be taken in making connection, to observe proper polarities, however. Failure to do so can result in the quick extinction of the Driver if the amplifiers are pulling the cone in different directions at once. 69. Dual-Cone:Many factory installed auto speakers are of the dual cone type. Sometimes also referred to as a "full-range" speaker, it uses an inexpensive, efficient design. The small "whizzer" cone in the center of the woofer reproduces high frequencies, but not with the dispersion, range, or intensity of a separate tweeter. 70. Dual-Voice Coil:-A particular speaker design that uses separate voice coils connected to the same speaker cone. (e.g., Manny used a dual-voice coil woofer so that he could operate his amplifier in stereo rather than mono.) 71. Dual-Voice Coil 72. Dub:A copy or the process of making a copy of a recording on another storage device. 73. Dust Cover/Cap-A rigid cardboard or plastic dome placed over the opening to the voice coil cylinder in a dynamic cone driver. The main purpose is to prevent dust from falling into the voice coil-magnet gap and causing problems. In some units it may have a slight ancillary function in extending - slightly - the midrange/ high response. Occasionally the dome may be inverted in such a manner as to extend the inner surface of the woofer and provide a very slight improvement in the smoothness of low frequency to midrange roll-off. 74. DVD: 75. Dynamic Headroom: 76. Dynamic Range-The difference between the maximum signal level and the noise floor. (e.g., Modern CDs are capable of more than 90 dB of dynamic range, which is about twice as much as with old cassette tapes without noise reduction.) 77. Dynamic Range: 78. Dynamic range-The ratio of the loudest (undistorted) signal to that of the quietest (discernible) signal in a unit or system as expressed in decibels (dB). Dynamic range is another way of stating the maximum S/N ratio. With reference to signal processing equipment, the maximum output signal is restricted by the size of the power supplies, i.e., it cannot swing more voltage than is available. While the minimum output signal is determined by the noise floor of the unit, i.e., it cannot put out a discernible signal smaller than the noise. Professional-grade analog signal processing equipment can output maximum levels of +26 dBu, with the best noise floors being down around -94 dBu. This gives a maximum dynamic range of 120 dB - pretty impressive numbers, which coincide nicely with the 120 dB dynamic range of normal human hearing (from just audible to uncomfortably loud). 79. Dynamic range 80. Dynamic Range Suppression 81. Dynamics-When used in music, refers to the varying degree of loudness and softness in a musical performance. |
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