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AA_crossover | A_is_for_amperes | A-B_Test | A-B_Test | ABX_Comparator | ABX_Comparator | AC-3 | Acoustic_Coupling | Acoustic_feedback | Acoustic_suspension | Acoustic_Suspension_(enclosure) | Acoustics | Active | Active | Active | Active_Display | Adaptive_Reception | AES/EBU | AIFF | Air_Gap | Alignment | Alpha | Alternating_Current | Alternating_Current_(AC) | Alternator | Alternator | Alternator_Whine | Ambience | Amp_or_Amperage | Amp_or_Amperage | Ampere_(A) | Amperes_(A) | Amplification_Classes. | Amplifier | Amplifier_(Amp) | Amplifier_classes | Amplitude | Amplitude | Amplitude | Amplitude_Modulation_(AM) | AMS | An_Ohm | Analog | Analog | Analog | Analog | Analog_Switch | Anechoic_chamber | Angled_(box_or_enclosure) | Anode | Antenna | Antenna | Antenna | Aperiodic | Aperiodic | ATA | ATRAC | Attenuate | Attenuate | Attenuate | Attenuate | Audio | Audio_Frequency_Spectrum | Audiophile | Audiophile | Auto_Memory | Auto_reverse | Auto_reverse | Average_or_apparent_power | AWG | AWS | Azimuth | Azimuth |1. A crossover 2. A is for amperes:-a measure of electric current. How much is enough? (We like to say that having too much amperage is like having too much money.) Your car's stock alternator probably provides enough amperage to power a basic car audio system. But if you want to add multiple high power amplifiers, you might require some additional current, and the installation of a new alternator or stiffening capacitors (see this link section with answers to your questions for more on alternators and stiffening capacitors). Ampere is commonly abbreviated as "amp" (not to be confused with amplifiers), but sometimes it's "I." Electricity is like that. 3. A-B Test:A test between two components. For example, a test between two different pre-amplifiers. For the test to be scientifically valid the levels should be matched. 4. A-B Test:-A TEST BY WHICH AN OBSERVOR SUBJECTIVELY COMPARES THE PERFORMANCE OF TWO COMPONENTS OF THE SAME TYPE; FOR EXAMPLE, A TEST BETWEEN TWO DIFFERENT SPEAKIERS. FOR THE TEST TO BE SCIENTIFICALLY VALID, THE INPUTS, LEVELS, AND LISTENING CONDITIONS SHOULD BE MATCHED. 5. ABX Comparator 6. ABX Comparator: 7. AC-3: 8. Acoustic Coupling 9. Acoustic feedback 10. Acoustic suspension:A sealed or closed box speaker enclosure. 11. Acoustic Suspension (enclosure) 12. Acoustics:Sound is simply vibrating air. How fast, how much, and when the air is vibrated, determines what we will ultimately hear as sound. The science of this process is called acoustics. When a speaker cone (or anything else that has the ability to vibrate in the auditory range) moves forward, the air molecules in front of the cone are compressed, causing the molecules to form an accelerating wave forward. This continues to happen until the speaker cone moves in the opposite direction, which causes a rarefaction (or thinning) of the air mass between the speaker and the listener. This is the basic concept of how sound waves are produced. 13. Active 14. Active 15. Active-The type of circuitry that requires a power supply and usually uses transistors, integrated circuits, and/or printed circuit boards. (e.g., By using an active crossover, it is much easier to achieve 18 dB/octave or 24 dB/octave slopes.) 16. Active Display:A special feature for front panel receiver displays that generates animated patterns for both segmented and dot matrix LCDs that proceed the sequential display of information such as clock, CD titles, and radio station call letters and frequencies. 17. Adaptive Reception 18. AES/EBU: 19. AIFF:Short for Audio Interchange File Format, a file format for storing and transmitting sampled sound. It was developed by Apple Computer and is the standard audio format for Macintosh computers. Files are 8-bit mono or stereo and generally end with a .AIF or .IEF extension. Normal AIFF does not support data compression so files tend to be large, but another format called AIIF-Compressed (AIFF-C or AIFC) does support compression. 20. Air Gap:-In a speaker's motor section, the space between the top plate and the pole piece. This is where the magnetic flux field is concentrated and where the voice coil interacts with it. 21. Alignment 22. Alpha:Term used in sealed enclosure designs to mean the ratio of Vas to Vb, where Vb is the volume of the box you will build. 23. Alternating Current: 24. Alternating Current (AC):-An electrical current that periodically changes in magnitude and direction. 25. Alternator 26. Alternator 27. Alternator Whine 28. Ambience:The acoustic characteristics of a space with regard to reverberation. A room with a lot of reverb is said to be "live"; one without much reverb is "dead." 29. Amp or Amperage 30. Amp or Amperage:-The amount of current flowing in a circuit. In a 12-volt world, we use lots of amps to operate our accessories. (e.g., When my system is really crankin' it draws 20 amps from my alternator.) 31. Ampere (A)-The unit of measurement for electrical current in coulombs per second. There is one ampere in a circuit that has one ohm resistance when one volt is applied to the circuit. See Ohms Law. 32. Amperes (A):-Ampere is a unit measurement of current of electrical energy equal to one coulomb of charge per second. Most DC applications refer to positive current - current which flows from a positive potential to a more negative potential, with respect to a reference point which is designated as zero or neutral potential (usually ground). The electrons in a circuit flow in the opposite direction as the current itself. Ampere is commonly abbreviated as "amp", not to be confused with amplifiers, of course, which are also commonly abbreviated "amp". In computation, the abbreviation for amperes is commonly, "I". 33. Amplification Classes.-All sound is a sinosoidial waveform. It has alternating peaks and valleys. The center point of each wave is the zero, or switching point that separates the positive (top) from the negative (bottom) portion of each wave. When a tube or transistor amplifier operates in Class A, the output tubes or transistors amplify the entire waveform without splitting it into positive and negative halves. In Class AB, used in the overwhelming majority of amplifier designs, the signal is split into two halves, positive and negative, and each half is sent to a tube or transistor circuit for amplification. Both sides work in tandem, and the two halves are recombined at the output section to reconstruct the whole signal. This technique increases the amount of power that can be applied, but increases distortion. Class A amps usually provide lower, often imperceptable distortion, but at the expense of reduced power output.Class D or High Current operation is essentially rapid switching, hence the term switching power amplifier. Here the output devices are rapidly switched on and off at least twice for each cycle. Theoretically, since the output devices are either completely on or completely off they do not dissipate any power. If a device is on there is a large amount of current flowing through it, but all the voltage is across the load, so the power dissipated by the device is zero; and when the device is off, the voltage is large, but the current is zero. Consequently, class D operation (often, but not necessarrily digital) is theoretically 100% efficient, but this requires zero on-impedance switches with infinitely fast switching times -- a product yet to be made; meanwhile designs do exist with efficiencies approaching 90%. This is a design that is increasimgly popular for use in bass systems, where maximum power is necessary, and slightly elevated levels of distortion are easily tolerated. 34. Amplifier 35. Amplifier (Amp):A device which increases signal level. Many types of amplifiers are used in audio systems. Amplifiers typically increase voltage, current or both. 36. Amplifier classes 37. Amplitude:The strength or intensity of an AC signal applied by the amplifiers output to a speaker's input. Also, a measure of the relative power of any variable recurring phenomenon. Typically, measurements are made in Decibels. 38. Amplitude:-The level or strength of a signal. (e.g., A high-powered amplifier will raise the amplitude of your deck's signal to over 50 volts.) 39. Amplitude:-The level or strength of a signal. (e.g., A high-powered amplifier will raise the amplitude of your deck's signal to over 50 volts.) 40. Amplitude Modulation (AM):In radio broadcasting, amethod of modulation in which the amplitude of the carrier voltage is varied in proportion to the changing frequency value of an applied (audio) voltage. (Also see Frequency Modulation). 41. AMS:Automatic Music Search. A feature that allows a CD or cassette mechanism to skip forward or backwards to another track. 42. An Ohm-is a measure of resistance and impedance that tells you how much a device (like a speaker) will resist the flow of current in a circuit. If the same exact signal is sent into two speakers, one rated at 4 ohms of impedance, the other at 8 ohms of impedance, twice as much current will flow through the 4 ohm speaker as the 8 ohm speaker. All things being equal, the 8 ohm speaker requires twice as much power to achieve the same volume level, since power is proportional to current. (See "dB.") Can your impedance be too low? Yes it can. It all depends on how well your amplifier can handle the increase in current flow that comes with lower impedance. The more current, the hotter your amp will get. An overheating amp is trouble. A good amp will simply shut down when trying to generate too much current. A poor quality amp will burn. Makes sure your amp can handle the impedance of your speakers. 43. Analog-The signal whose instantaneous value is a replication of another event or signal. (e.g., The digital bits on a compact disc are converted to an analog signal inside the D/A converter of the deck so that our brains can understand the software.) 44. Analog-The signal whose instantaneous value is a replication of another event or signal. (e.g., The digital bits on a compact disc are converted to an analog signal inside the D/A converter of the deck so that our brains can understand the software.) 45. Analog 46. Analog:An electrical signal in which the frequency and level vary continuously in direct relationship to the original acoustical sound waves. Analog may also refer to a control or circuit which continuously changes the level of a signal in a direct relationship to the control setting. 47. Analog Switch 48. Anechoic chamber:-A special room that is constructed without acoustically reflective surfaces, such that it is without echoes, or an-echo-ic. This experimental setup enables engineers to more precisely measure the acoustical properties of many types of equipment. A real life anechoic situation is experienced by skydivers. However, they may be a bit distracted from the experience by the approaching ground. 49. Angled (box or enclosure) 50. Anode 51. Antenna:The rod that is used to receive radio waves in a car. (e.g., My radio can't pick up too much without the antenna all the way up.) 52. Antenna 53. Antenna:The rod that is used to receive radio waves in a car. (e.g., My radio can't pick up too much without the antenna all the way up.) 54. Aperiodic:-Refers to a type of bass-cabinet loading. An aperiodic enclosure type usually features a very restrictive, (damped), port. The purpose of this restrictive port is not to extend bass response, but to yeild a smoother response pattern by lowering the Q of the system and reducing the impedance peak at resonance. Most restrictive ports are damped with quantities of sound absorbtive material. 55. Aperiodic:-Refers to a type of bass-cabinet loading. An aperiodic enclosure type usually features a very restrictive, (damped), port. The purpose of this restrictive port is not to extend bass response, but lower the Q of the system and reduce the impedance peak at resonance. Most restrictive ports are heavily stuffed with fiberglass, dacron or foam. 56. ATA 57. ATRAC 58. Attenuate-To reduce in level. 59. Attenuate 60. Attenuate 61. Attenuate:-A reduction in the level of a signal. (e.g., I had to attenuate the signal level from my deck so that I wouldn't clip the input to my amp so much.) 62. Audio: 63. Audio Frequency Spectrum:The band of frequencies extending roughly from 20 Hz to 20 kHz and encompassing the full range of normal human hearing. 64. Audiophile:A species of dedicated audio nut who actually reads definitions like this. 65. Audiophile:-A person interested in sound reproduction. 66. Auto Memory-A tuner feature that automatically finds the strongest stations in the local area, and places them in preset memories 67. Auto reverse:-In a cassette player, the feature in which the direction of tape travel changes automatically. (e.g., Since my deck is equipped with an auto-reverse mechanism, I don't need to turn the tape over when one side has finished playing.) 68. Auto reverse: 69. Average or apparent power: 70. AWG 71. AWS-Adaptive Woofer System, trademark of ACI. An active woofer system with built in user adjustable equalization capabilities. 72. Azimuth: 73. Azimuth:-The relationship of a tape head gap to the magnetic lines of flux on a recorded tape. (e.g., If the azimuth is out of alignment, the high-frequency response will be poor.) |
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